Watercolors by Celia Blanco

  Riverside Grasses sketchbook page watercolor, colored pencil, white pen My husband and I had a fun outing recently. I guess it might seem normal to most but we have spent the last few months somewhat boxed in. We were therefore very happy for the opportunity to be outdoors. He brought his kayak and I brought my sketching supplies. The best part was waking up at the crack of dawn and watching the sun rise.   I  sketched the grasses growing by the river. The light changes very quickly. I lost my whites because the paper wouldn't dry, making it impossible to pick up the color. The paint has difficulty drying near the river because of the humidity, even if the sun is present. I went back into the painting back home with colored pencils and white pen to gain back the feeling of the light hitting the grass. who wants to dive in?!  Thanks for the visit!

CLOUDS AND SEA watercolor on paper 29cm X 21cm I had the oppurtunity to paint plein air at the beach this weekend. I know many people speak about art for its therapeutic effect. Now that the summer crowds have left, I really felt that way. Thank you for the visit!

  Down the Road 7".5 x 11"/ 18.5 x 28cm. watercolor on paper I painted two separate plein air paintings over the last two weekends. The first was a sketch of a country road. As I was sitting nearby, an old Fiat 500 came out of nowhere and drove into my painting view. I always have my camera at an arm's reach, I managed to get a couple shots of the car driving into the distance. I love the retro feel of the image. I used my plein air sketch as a color guide, combined it with my photo reference and took various things from both. plein air sketch 5"x 7" watercolor on paper   I wanted to keep the energy I feel I have in my sketch by working in one sitting, mostly wet into wet. I have been looking at Joseph Zbukvic's work lately and loved what he says "painting precise locations is irrelevant; simply keep the character." plein air sketch 5" x 7" watercolor on paper My second plein air sketch was painted a

  A Room with a View watercolor on p aper (Daler Rowney cold pressed) 18 x 13 cm/ 5 x7 in.  “One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!” ― E.M. Forster , A Room with a View   Sunday morning a fishing competition forced my husband and I up river to kayak. There was no place for me to sit nearby so I ventured into the town of Subiaco to plein air paint. I have always wanted to paint a portion of this house which I have been infatuated with for years. I was also very attracted to the old style street lamp and the flowers blooming on the sill. This home looks over the Aniene River and has a beautiful mountain view. The owner of the house is very kind and came out to see what I was doing as did many of the friendly folk walking by. Being accustomed to the colder ways of the big city, I appreciate smaller towns where people take the time to  greet each other, even strangers. "Buo

"Watching the Grass Grow" watercolor on paper 25 x 18cm. It has been a beautiful day to be outdoors. Tomorrow it will probably rain, I wanted to do a plein air painting of the grass that has gotten high because of all the precipitation we are having. It is fun to watch the grass grow! Incidentally, the Daily Paintworks Challenge this week is to paint grass, so I will enter it there. Thank you for stopping by!              

Plein Air  20 x 30 cm watercolor on paper ( Cartiera Mangnani hotpress) I was able to paint plein air this weekend in the countryside by the Aniene River. The very first signs of Fall are starting to show in the landscape. The best thing is, of course, all the fresh water to paint with. Thanks for stopping by! my painting on location... lots of fresh water nearby

"Plants on the Rocks" watercolor on paper 10" x 7 " More often than not, you can find me in the proximity of rivers and other bodies of water, if you haven't noti ced already. Thanks to my kayak loving husband, this is where I spend many afternoons. Coming from the city, I crave solitude and being able to get lost in a watercolor with just the sounds of birds chirping and a running brook...well, Italians call this a river. This is the Aniene River, as it flows through the medievel town of Subiaco. It is about an hour's drive from Rome and a delightful place to paint.  I'm trying to focus more on a single subject when plein air painting and less on detail, hopefully I'll improve with practice. Being surrounded by green is somewhat overwhelming, and the fly fisherman, naturally, came after I had gotten my drawing down: if I would have known, I would have changed my composition to include him for sure! My sketch with its model fly fisherm

"Pushed by the Wind" watecolor on paper 8" x 12"/ 20 x 30 cm I was back painting plein air at my favorite beach spot this weekend. I tried to narrow down the focus on the enormous clouds and the water. The kitesurfers were out trying to catch the waves, driven by the wind. It's a very daring sport. I threw the surfer in at the last moment while he stood still for a moment.There are a lot of varying colors in this landscape. It always makes me think back to my painting teacher's lessons. When painting landscapes,  avoid the sky is blue, grass is green approach. Painting what we think we know but not what is actually in front of us. I saw every part of the landscape was the color it was not "supposed" to be. The ocean, for instance, had an array of colors. In the distance there were turquoise and blues. As it came nearer it changed to purples and the browns-reflecting the sand below. The sky seemed yellow and violet, the sand green. I tried to fi

Beach day plein air sketch I was able to do a plein air painting at our local beach recently. These works are in order to help me improve and increment my landscape painting skills. I wanted to catch the mood of the morning which was somewhat overcast and despite the ominious weather there were a  few people out on the water enjoying the sea. What I find the most challenging about landscape painting is trying to pick out what is important and dealing with the landscape constantly changing. With a medium like watercolor it can be daunting because you need to plan things in advance. I like the way this approach pushes me to be quicker and to prioritize in order to have the important bits down as I observe what is in front of me before it changes. when I was getting ready to leave, the beach was filling up in spite of the bad weather I dropped my pallette in the sand :(

plein air sketch from Pineta Sacchetti Park I have had one of those weeks where you have a million things to do all at once and you don't know quite where to start. Fortunately an appointment brought me next to this park which happens to  look over St. Peter's Cupola and allowed me to have some painting time while I waited. Pineta Sacchetti Park is an integral part of the Regional Park of Pineto , a protected natural area of about 240 hectares , located between the districts of Aurelio in Rome , Primavalle and Triumphal Way . I packed my Cotman pocket box and some paper and managed to get some sketching in while I waited. What I find impressive is how large the cupola appears live even if it is far in the distance. I felt I might have made a  mistake in my sketch but it really is that massive.  I had to be back in the same location again later in the week  for yet another appointment and did some drawing in my sketchbook while waiting. This time I wanted to